{"title":"Shop All","description":"","products":[{"product_id":"mini-brass-hand-pin","title":"Mini Hand Pin","description":"\u003cp\u003eProclaim your commitment to the handmade with this unique brooch featuring a small sculpted golden or silver-plated hand. Made by hand in Washington and specially packaged in a keepsake gift box stamped with a hand logo.\u003c\/p\u003e\n\u003cp\u003eThe brass hand charm measures approximately 1\" tall and is attached to a barrel safety clasp so it can be worn as a tie tack or lapel pin.\u003c\/p\u003e\n\u003cp\u003eA great gift for makers!\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRed Truck Designs \u003c\/strong\u003especializes in whimsical handmade jewelry. Susan Najarian is the artist who fuels the designs for Red Truck. Her designs are handcrafted in a small studio nestled among the cedar trees on Bainbridge Island, Washington. Susan gets inspiration from the beauty outside her studio. Featuring bohemian and whimsical jewelry for everyone. \u003c\/p\u003e","brand":"Red Truck Designs","offers":[{"title":"Gold","offer_id":42256402022648,"sku":"19794","price":30.0,"currency_code":"USD","in_stock":true},{"title":"Silver","offer_id":42256402055416,"sku":"19793","price":30.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0616\/6082\/3800\/products\/hand_pins_1000.jpg?v=1640141337"},{"product_id":"diedrick-brackens-heaven-is-a-muddy-riverbed","title":"Diedrick Brackens - heaven is a muddy riverbed","description":"\u003cp\u003eDiedrick Brackens - \u003cem\u003eheaven is a muddy riverbed\u003c\/em\u003e - January 30 - May 8, 2022, Craft Contemporary, Los Angeles.\u003c\/p\u003e\n\u003cp\u003eThis fully illustrated catalog accompanied Craft Contemporary's exhibition and documents all of Diedrick Brackens’ catfish-themed weavings and poems up to the date of the exhibition. An intimate survey that examines the use of the catfish motif in Los Angeles-based artist Brackens’ work. The catfish has been an enduring, multi-dimensional reference in his work – a symbol of physical and spiritual nourishment, a messenger linking the present to ancestral memories, and a guide in self-examination. The exhibition navigated the evolution of this important emblem at the heart of Brackens’ prolific creative practice.\u003c\/p\u003e\n\u003cp\u003eWith essays by author Derrick Austin, \u003cem\u003eMessenger in the Water: Catfish as Motif in the Poetry of Diedrick Brackens\u003c\/em\u003e, and curator, writer, and cultural historian TK Smith, \u003cem\u003eThe Body Weaves Through Water. It also includes \u003c\/em\u003ean introduction by Holly Jerger, exhibitions curator at Craft Contemporary, and a foreword by Suzanne Isken, Executive Director.\u003c\/p\u003e\n\u003cp\u003ePoems, artwork, Diedrick Brackens Studio, a biography, and an image list complete the publication.\u003c\/p\u003e\n\u003cp\u003eThe book's cover is printed with matte black foil on heavy stock black paper.\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eCraft Contemporary, 2022, softcover, 9 x 7 in, 80 pages.\u003c\/em\u003e\u003c\/p\u003e","brand":"Craft Contemporary","offers":[{"title":"Default Title","offer_id":42334145609976,"sku":"20065","price":21.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0616\/6082\/3800\/products\/book_brackens_heaven_1000.jpg?v=1642727521"},{"product_id":"moffat-takadiwa-pleased-to-meet-you-13","title":"Moffat Takadiwa - Pleased to Meet You Issue 13","description":"\u003cp\u003ePublished on the occasion of \u003cem\u003eWitch Craft: Re-thinking Power\u003c\/em\u003e at Craft Contemporary in 2022, this is the first dedicated publication to focus on the work of Zimbabwe-based artist, Moffat Takadiwa. Richly illustrated in full color with installation photographs as well as many photos of the artist at work. Featuring a conversation with Moffat Takadiwa by Morad Montazami, Ignatius T. Mabasa’s ‘A Baobab Tree House and a Tall Pet Giraffe’ and ‘Witch Craft \/ Which Craft: Moffat Takadiwa Punctures Western Power Structures’ by Holly Jerger, curator of Takadiwa’s solo exhibition at Craft Contemporary.\u003cem\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eI collect items at a kind of halfway point between their past and future uses. \u003c\/em\u003eMT\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eMoffat Takadiwa\u003c\/strong\u003e transforms post-consumer waste  – such as used toothpaste tubes, spray cans, and computer keyboards – into lush, densely layered sculptures and tapestry-like wall works that embody the complexities of contemporary Zimbabwean politics, culture, and reference his Korekore heritage. These pieces are Takadiwa’s investigations of power from a distinctly African perspective – one that acknowledges spirituality as a powerful resource for Africa’s future growth. \u003c\/p\u003e\n\u003cp\u003eEnglish\/French\/Shona Language\u003c\/p\u003e\n\u003cp\u003e\u003ci\u003ePrinted by Semiose Èditions in collaboration with Craft Contemporary and Nicodim Gallery, 2022, softcover, 9 x 11.8 in, 80 pages.\u003c\/i\u003e\u003c\/p\u003e","brand":"Semiose Éditions","offers":[{"title":"Default Title","offer_id":42334152524024,"sku":"20041","price":16.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0616\/6082\/3800\/products\/book_moffat_1000_3c5027ea-bfc8-4c06-b728-b6b9b06a4768.jpg?v=1643058272"},{"product_id":"weaving-on-a-little-loom","title":"Weaving on a Little Loom","description":"\u003cp\u003e\u003cem\u003eTechniques, Patterns, and Projects for Beginners\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003eBy Fiona Daly\u003cbr\u003e\u003cbr\u003e\u003cem\u003eWeaving on a Little Loom\u003c\/em\u003e teaches readers everything they need to know to start small-frame loom weaving, an easy and inexpensive craft that can be done at home. From setting up the loom to finishing a project, this book covers both basic and more advanced techniques, with an introduction to creating patterns such as basket and bird's eye weaves, rib, twill, and herringbone. With clear instructions and beautiful illustrative photographs, step-by-step tutorials guide you through designing and creating five contemporary woven projects—including table placemats, wall hangings, and a tote bag—all made with natural, environmentally friendly materials.\u003c\/p\u003e\n\u003cdiv class=\"mb-2\"\u003e\n\u003cp class=\"f_t_base f_t_color f_t_paragraphSansRegular\"\u003eSKU: 9781616897123\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"mb-2\"\u003e\n\u003cp class=\"f_t_base f_t_color f_t_paragraphSansRegular\"\u003eMade in China\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"mb-2\"\u003e\n\u003cp class=\"f_t_base f_t_color f_t_paragraphSansRegular\"\u003eWeight: 1.39 lb (0.63 kg)\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"mb-2\"\u003e\n\u003cp class=\"f_t_base f_t_color f_t_paragraphSansRegular\"\u003eDimensions: 10.6 x 8.4 x 0.6 in (27 x 21.3 x 1.6 cm)\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"mb-2\"\u003e\n\u003cp class=\"f_t_base f_t_color f_t_paragraphSansRegular\"\u003eGTIN: 9781616897123\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cp\u003e\u003cem\u003ePrinceton Architectural Press, 2018, softcover, 8 x 10.5 inches, 144 pages.\u003c\/em\u003e\u003c\/p\u003e","brand":"Chronicle Books","offers":[{"title":"Default Title","offer_id":42415638249720,"sku":"16981","price":31.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0616\/6082\/3800\/products\/book_weaving_little_loom_1000jpg.jpg?v=1644292075"},{"product_id":"all-that-she-carried","title":"All That She Carried","description":"\u003cp\u003eBy Tina Miles \u003c\/p\u003e\n\u003cp\u003eIn 1850s South Carolina, an enslaved woman named Rose faced a crisis: the imminent sale of her daughter Ashley. Thinking quickly, she packed a cotton bag for her with a few items, and soon after, the nine-year-old girl was separated from her mother and sold. Decades later, Ashley’s granddaughter Ruth embroidered this family history on the sack in spare, haunting language.\u003c\/p\u003e\n\u003cp\u003eHistorian Tiya Miles carefully traces these women’s faint presence in archival records, and where archives fall short, she turns to objects, art, and the environment to write a singular history of the experience of slavery and the uncertain freedom afterward in the United States.\u003c\/p\u003e\n\u003cp\u003e\u003ci\u003eAll That She Carried\u003c\/i\u003e is a poignant story of resilience and love passed down against steep odds. It honors the creativity and resourcefulness of people who preserved family ties when official systems refused to do so, and it serves as a visionary illustration of how to reconstruct and recount their stories today.\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eRandom House, 2022, softcover, 5.25 x 8 inches, 416 pages.\u003c\/em\u003e\u003c\/p\u003e","brand":"Penguin Random House","offers":[{"title":"Default Title","offer_id":42947655434488,"sku":"20605","price":22.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0616\/6082\/3800\/products\/book_allthatshecarreid_1000.jpg?v=1655400155"},{"product_id":"the-ceramics-bible-revised-edition","title":"The Ceramics Bible (Revised Edition)","description":"\u003cp class=\"p1\"\u003eBy Louisa Taylor\u003cspan class=\"Apple-converted-space\"\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eBuilding on the success of the original volume, this revised edition of \u003ci\u003eThe Ceramics Bible\u003c\/i\u003e features new techniques, terms, images, and artist profiles—as well as the tried-and-true step-by-step instruction and comprehensiveness that students, instructors, artists, and collectors have all come to appreciate.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eSince its debut in September 2011, \u003ci\u003eThe Ceramics Bible\u003c\/i\u003e has been the go-to guide for anyone interested in this flourishing art form. The revised edition updates a quarter of the original content, while keeping the visually rich format and straightforward instruction that make the book such a valuable tool for makers and artists. Featuring a diverse array of contemporary artists, and a comprehensive guide to the best ceramics galleries, suppliers, residencies, workshops, and studios all over the world, this volume will teach you everything you want to know about making ceramics.\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eChronicle Books, 2022, hardcover, 9.25 x 10.65 inches, 176 pages.\u003c\/em\u003e\u003c\/p\u003e","brand":"Chronicle Books","offers":[{"title":"Default Title","offer_id":42947945758968,"sku":"20200","price":45.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0616\/6082\/3800\/products\/book_ceramicsbible_1000.jpg?v=1655409199"},{"product_id":"betye-saar-keepin-it-clean","title":"Betye Saar - Keepin' It Clean","description":"\u003cp\u003eCatalog for Betye Saar's exhibition\u003cem\u003e Keepin' It Clean, \u003c\/em\u003eat the Craft and Folk Art Museum, Los Angeles (now Craft Contemporary), May 28 - August 20, 2017.\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\u003cspan\u003e\u003cem\u003eForeward\u003c\/em\u003e by Suzanne Isken, Executive Director, Craft Contemporary\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003e\u003cem\u003eIntroduction\u003c\/em\u003e by Holly Jerger, Exhibitions Curator\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003e\u003cem\u003eBettye Saar: Extreme Times Call for Extreme Heroines\u003c\/em\u003e by Steven Nelson\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cem\u003eKeepin’ It Clean\u003c\/em\u003e is a survey of Betye Saar’s washboard assemblages, a significant series she began in 1997. For Saar, the washboard is an incredibly potent object, symbolizing the intersection of race, gender, class, and labor in the United States; it is an emblem of America’s unresolved legacy of slave labor and the systems of racial oppression that continue to afflict the country. Throughout her career, Saar has worked to expose the history of these oppressive systems and the ongoing racial stereotypes they perpetuate. Saar continues to ask, “America, will you ever clean up your act?”\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cstrong\u003eSteven Nelson\u003c\/strong\u003e served as Professor of African and African American Art for two decades before leaving UCLA to serve as the Dean of the Center for Advanced Study in the Visual Arts, at the National Gallery of Art in Washington, D.C. In addition to his work teaching and advising as part of the art history faculty, Nelson also served as director of the UCLA African Studies Center, advised on UCLA’s diversity and inclusion strategic planning, chaired the UCLA Graduate Council from 2009-11, and held numerous leadership, guest faculty, and fellowship positions outside of the university. His publications include the award-winning \u003ci\u003eFrom Cameroon to Paris: Mousgoum Architecture In and Out of Africa\u003c\/i\u003e (University of Chicago Press, 2007), and the forthcomin\u003ci\u003eg Structural Adjustment: Mapping, Geography, and the Visual Cultures of Blackness\u003c\/i\u003e and \u003ci\u003eOn the Underground Railroad. \u003c\/i\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eCraft and Folk Art Museum, 2017, softcover, 8 x 11.5 in, 50 pages.\u003c\/em\u003e\u003c\/p\u003e","brand":"Craft Contemporary","offers":[{"title":"Default Title","offer_id":42948279828728,"sku":"15164","price":30.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0616\/6082\/3800\/products\/book_betyesaar_clean_1000.jpg?v=1657237133"},{"product_id":"splendor-of-the-dragon-costumes-of-the-ryukyu-kingdom","title":"Splendor of the Dragon - Costumes of the Ryukyu Kingdom","description":"\u003cp\u003eExhibition catalog from \u003cem\u003eSplendor of the Dragon - Costumes of the Ryukyu Kingdom, \u003c\/em\u003eCraft and Folk Art Museum, Los Angeles (now Craft Contemporary) in cooperation with the Okinawa Prefectural Museum, 1995.\u003c\/p\u003e\n\u003cp\u003eGloria Gonick, Curator\u003c\/p\u003e\n\u003cul\u003e\n\u003cli class=\"p1\"\u003e\n\u003cem\u003ePreface\u003c\/em\u003e by Patrick H. Ela, Executive Director, CAFAM\u003c\/li\u003e\n\u003cli class=\"p1\"\u003e\n\u003cem\u003eAcknowledgements\u003c\/em\u003e by Gloria Gonick, Curator\u003c\/li\u003e\n\u003cli class=\"p1\"\u003e\n\u003cem\u003eGreetings\u003c\/em\u003e from Chowa Nakazato, Superintendent, Okinawa Board of Education, and Kenji Itokazu, Director, Okinawa Prefectural Museum\u003c\/li\u003e\n\u003cli class=\"p1\"\u003e\n\u003cem\u003eSplendor of the Dragon: Costumes of the Ryukyu Kingdom\u003c\/em\u003e by Gloria Gonick, Curator\u003c\/li\u003e\n\u003cli class=\"p1\"\u003e\n\u003cem\u003eBingata: Its Colors and Forms\u003c\/em\u003e by Ichiko Yonamine, Curator, Okinawa Prefectural Museum\u003c\/li\u003e\n\u003cli class=\"p1\"\u003ePlates\u003c\/li\u003e\n\u003cli class=\"p1\"\u003e\n\u003cem\u003eBast-Fiber Textiles of Okinawa: Basho and Ramie\u003c\/em\u003e by Gloria Gonick and Karla Munoz, Research Assistant\u003c\/li\u003e\n\u003cli class=\"p1\"\u003eExhibition Checklist\u003c\/li\u003e\n\u003cli class=\"p1\"\u003eBibliography\u003c\/li\u003e\n\u003cli class=\"p1\"\u003eGlossary\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003eModern-day Okinawa was once the ancient kingdom of Ryukyu, a center of economic and cultural exchange with China, Korea, Japan, and other Southeast Asian countries, which developed a culture that was unique and different from that of mainland Japan.\u003c\/p\u003e\n\u003cp\u003eThis is especially true for Okinawan dyeing and weaving--the best-known example of which is \u003cem\u003ebingata\u003c\/em\u003e cloth, which is characterized by brilliant colors and a variety of patterns that preserve the vestiges of a glorious royal culture. Okinawans also perfected weaving techniques, especially for banana (\u003cem\u003ebasho\u003c\/em\u003e) and other bast fibers. 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Merrill Collection \u003c\/em\u003eat CAFAM\/Craft and Folk Art Museum, Los Angeles (now Craft Contemporary). September 25, 2016 - January 8, 2017.\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cem\u003eForeward\u003c\/em\u003e by Suzanne Isken, Executive Director, CAFAM\u003c\/li\u003e\n\u003cli\u003e\n\u003cem\u003eIntroduction\u003c\/em\u003e by Holly Jerger, Exhibitions Curator, CAFAM\u003c\/li\u003e\n\u003cli\u003e\n\u003cem\u003eComplex Simplicity\u003c\/em\u003e by Deborah Valoma, Professor and Chair, Textiles Program, California College of the Arts \u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003eHow can something be simple and complex at the same time? 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This year’s theme positions a lens on Iranian youth culture with works selected for their multi-faceted and intriguing views of young Iranians and how they navigate their lives. Some portraits reveal personal style or street fashion, while others show time spent participating in leisure activities such as sports, music, or hanging out. Other works explore queer identity, gender representations, and the relationship of youth with their religion, family, and the state.\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eCraft Contemporary, softcover, 8.5 x 10 in, 95 pages.\u003c\/em\u003e\u003c\/p\u003e","brand":"Craft Contemporary","offers":[{"title":"Default Title","offer_id":42948301291768,"sku":"17741","price":30.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0616\/6082\/3800\/files\/book_focus_iran1_1500.jpg?v=1705454004"},{"product_id":"weaving-traditions-of-highland-bolivia","title":"Weaving Traditions of Highland Bolivia","description":"\u003cp\u003eBy Laurie Adelson\u003c\/p\u003e\n\u003cp\u003eThis is the catalogue from the exhibition \u003cem\u003eWeaving Traditions of Highland Bolivia\u003c\/em\u003e at CAFAM\/Craft and Folk Art Museum, Los Angeles (now Craft Contemporary), December 19, 1978, to February 4, 1979.\u003c\/p\u003e\n\u003cp\u003eGuest Curators: Laurie Adelson and Bruce Takami\u003c\/p\u003e\n\u003cp\u003ePreface by Edith Wyle and Laurie Adelson \u0026amp; Bruce Takami.\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eThe textile tradition of highland Bolivia is a rich and highly developed art with roots reaching back to pre-Colombian times. Yet this remarkable tradition has gone largely unrecognized outside of the Bolivian rural regions where weaving is still the most important form of creative expression.\u003c\/em\u003e -Introduction\u003c\/p\u003e\n\u003cp\u003eContents:\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eIntroduction\u003c\/li\u003e\n\u003cli\u003ePeople\u003c\/li\u003e\n\u003cli\u003eDevelopment of Weaving and Dress\u003c\/li\u003e\n\u003cli\u003eCostume\u003c\/li\u003e\n\u003cli\u003eRegions\u003c\/li\u003e\n\u003cli\u003eMap\u003c\/li\u003e\n\u003cli\u003eCatalog\u003c\/li\u003e\n\u003cli\u003eGlossary\u003c\/li\u003e\n\u003cli\u003eFootnotes\u003c\/li\u003e\n\u003cli\u003eBibliography\u003c\/li\u003e\n\u003cli\u003eCraft and Folk Art Museum\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003eCopyright Laurie Adelson and Bruce Takami.\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eCraft \u0026amp; Folk Art Museum, 1978, softcover, 8 x 9 inches , 65 pages.\u003c\/em\u003e\u003c\/p\u003e","brand":"Craft Contemporary","offers":[{"title":"Default Title","offer_id":42950265766136,"sku":"181","price":10.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0616\/6082\/3800\/products\/book_bolivia_jpg.jpg?v=1655928403"},{"product_id":"celebrating-nature-craft-traditions-contemporary-expressions","title":"Celebrating Nature - Craft Traditions, Contemporary Expressions","description":"\u003cp data-mce-fragment=\"1\"\u003eBy Kevin V. Wallace\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eCatalog for the 2004 exhibition, \u003cem\u003eCelebrating Nature: Craft Traditions \/ Contemporary Expressions\u003c\/em\u003e, at CAFAM\/Craft and Folk Art Museum (now Craft Contemporary).\u003c\/p\u003e\n\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan\u003e\u003cem\u003eCelebrating Nature\u003c\/em\u003e presents the state of the art of craft. These artists work with materials the earth offers—wood, clay, metal, stones, and natural fibers—to create work that presents the wonder and beauty of the natural world. The works in this exhibition are a marriage of tradition and contemporary expression, folk art and modern sculpture, the world we construct and the earth itself.\u003c\/span\u003e\u003c\/p\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cp\u003e\u003cem\u003e\u003cspan data-mce-fragment=\"1\"\u003eCraft and Folk Art Museum\u003c\/span\u003e, \u003cspan data-mce-fragment=\"1\"\u003e2004, softcover, 9 x 9 in, 76 pages\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e","brand":"Craft Contemporary","offers":[{"title":"Default Title","offer_id":42950275006712,"sku":"188","price":5.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0616\/6082\/3800\/products\/book_nature-_1000-_3.jpg?v=1655478151"},{"product_id":"the-scholar-and-the-collector","title":"The Scholar and the Collector","description":"\u003cp data-mce-fragment=\"1\"\u003e\u003cspan\u003eBilingual catalog for the 1999 exhibition, \u003cem\u003eThe Scholar and the Collector: Fernando Ortiz, Los Instrumentos De La Música Afrocubana, and the Howard Family Collection of Percussion Instruments\u003c\/em\u003e,\u003c\/span\u003e\u003cspan\u003e at CAFAM\/Craft and Folk Art Museum (now Craft Contemporary). Includes an essay by\u003c\/span\u003e Antonio Ben\u003cspan data-mce-fragment=\"1\"\u003eí\u003c\/span\u003etez-Rojo, \"The Polyrhythmic Imagination.\"\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eThe exhibition celebrated the work of Fernando Ortiz (1881-1969), a Cuban ethnographer and anthropologist who documented the African influences on the musical traditions of Cuba, as well as the distinguished collection of percussion and folk instruments assembled by Dr. Joseph H. Howard (1912-1994) and his wife, Bootsie Howard (1921-1985). \u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eInterAmericas Society of Arts and Letters of the Americas, 2000, softcover, English and Spanish language, black and white illustrations, 7.75 x 10.75 in, 95 pages.\u003c\/em\u003e\u003c\/p\u003e","brand":"Craft Contemporary","offers":[{"title":"Default Title","offer_id":42950291161336,"sku":"716","price":15.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0616\/6082\/3800\/products\/book_thescholarandcollector_1000-_3.jpg?v=1655478776"},{"product_id":"i-nioi-candle-five","title":"I Nioi Candle - Five","description":"\u003cp data-mce-fragment=\"1\"\u003eÏ nioi candles are handmade in small batches in Los Angeles, CA and feature carefully curated scents that evoke remembered places and environments.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003e\u003cem\u003eFive \u003c\/em\u003ecandle notes:\u003c\/strong\u003e cacao, patchouli, bonglai, jasmine, champaca.\u003c\/p\u003e\n\u003cdiv style=\"text-align: center;\"\u003e\u003cem\u003eCacao suspended in twilight's embrace.\u003cbr\u003e\u003c\/em\u003e\u003c\/div\u003e\n\u003cdiv style=\"text-align: center;\"\u003e\u003cem\u003eLingering heat rises through herbal leaves.\u003c\/em\u003e\u003c\/div\u003e\n\u003cdiv style=\"text-align: center;\"\u003e\u003cem\u003ePale blooms glow in faded light.\u003c\/em\u003e\u003c\/div\u003e\n\u003cdiv style=\"text-align: center;\" data-mce-fragment=\"1\" data-mce-style=\"text-align: center;\"\u003e\n\u003cem data-mce-fragment=\"1\"\u003e\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\n\u003c\/div\u003e\n\u003cp data-mce-fragment=\"1\"\u003eÏ nioi is founded on the principle of creating an immersive scent experience. A remedy for wanderlust, their candles invite you to sink into a new frame of mind. The rich tapestry of notes draws upon the familiar and comforting, to the uncommon and even challenging. This unguarded approach to fragrance yields unique scents.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eEach soy wax candle is meticulously crafted by hand using exceptional materials. With a continuous commitment to supporting and utilizing local small businesses, Ï nioi is also committed to creating as little waste as possible, both in their supply line and final product.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eBurn time is 40-50 hours. Candles are 7.1 oz and 3 x 3.25-inches. Comes packaged in an elegant kraft tube with vellum insert, ready for gifting.\u003c\/p\u003e","brand":"Ï Nioi","offers":[{"title":"Default Title","offer_id":42962842157304,"sku":"20289","price":50.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0616\/6082\/3800\/products\/inioi_five2_1000.jpg?v=1748913394"},{"product_id":"the-new-politics-of-the-handmade","title":"The New Politics of the Handmade","description":"\u003cp\u003e\u003cem\u003eThe New Politics of the Handmade: Craft, Art and Design\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eEdited by Anthea Black and Nicole Burisch\u003c\/p\u003e\n\u003cp\u003eContemporary craft, art, and design are inseparable from the flows of production and consumption under global capitalism. \u003ci\u003eThe New Politics of the Handmade\u003c\/i\u003e features twenty-three voices who critically rethink the handmade in this dramatically shifting economy.\u003c\/p\u003e\n\u003cp\u003eThe authors examine craft within the conditions of extreme material and economic disparity; a renewed focus on labor and materiality in contemporary art and museums; the political dimensions of craftivism, neoliberalism, and state power; efforts toward urban renewal and sustainability; the use of digital technologies; and craft's connections to race, cultural identity and sovereignty in texts that criss-cross five continents. They claim contemporary craft as a dynamic critical position for understanding the most immediate political and aesthetic issues of our time.\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eBloomsbury Visual Arts, 2020, softcover, 6 x 9 inches, 304 pages.\u003c\/em\u003e\u003c\/p\u003e","brand":"Bloomsbury","offers":[{"title":"Default Title","offer_id":43081401008376,"sku":"20681","price":32.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0616\/6082\/3800\/products\/book_newpoliticshandmade_1100.jpg?v=1658790393"},{"product_id":"the-craft-reader","title":"The Craft Reader","description":"\u003cp\u003eEdited by Glenn Adamson\u003c\/p\u003e\n\u003cp\u003eFrom the canonical texts of the Arts and Crafts Movement to the radical thinking of the DIY movement, from theoretical writings on the position of craft in distinction to art and design to how-to texts from renowned practitioners, from feminist histories of textiles to descriptions of the innovation born of necessity in Soviet factories and African auto-repair shops. \u003cem\u003eThe Craft Reader \u003c\/em\u003epresents the first comprehensive anthology of writings on modern craft.\u003c\/p\u003e\n\u003cp\u003eCovering the period from the Industrial Revolution to today, the \u003cem\u003eReader\u003c\/em\u003e draws on craft practice and theory from America, Europe, Asia, and Africa. The world of craft is considered in its full breadth — from pottery and weaving to couture and chocolate-making to contemporary art, architecture, and curation. The writings are themed into sections, and all extracts are individually introduced, placing each in its historical, cultural, and artistic context.\u003c\/p\u003e\n\u003cp\u003eBringing together an astonishing range of classic and contemporary texts, \u003cem\u003eThe Craft Reader\u003c\/em\u003e will be invaluable to any student or practitioner of craft and to readers in art and design.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eAuthors include: \u003c\/strong\u003eTheodor Adorno, Anni Albers, Amadou Hâmpaté Bâ, Charles Babbage, Roland Barthes, Andrea Branzi, Alison Britton, Rafael Cardoso, Johanna Drucker, Charles Eames, Salvatore Ferragamo, Kenneth Frampton, Alfred Gell, Walter Gropius, Tanya Harrod, Martin Heidegger, Patrick Heron, Bernard Leach, Esther Leslie, W. R. Lethaby, Lucy Lippard, Adolf Loos, Karl Marx, William Morris, Robert Morris, László Moholy-Nagy, Stefan Muthesius, George Nakashima, Octavio Paz, Grayson Perry, M. C. Richards, John Ruskin, Raphael Samuel, Ellen Gates Starr, Debbie Stoller, Alexis de Tocqueville, Lee Ufan, Frank Lloyd Wright.\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eBerg Publishers, 2018, softcover, 7 x 10 inches, 656 pages.\u003c\/em\u003e\u003c\/p\u003e","brand":"Bloomsbury","offers":[{"title":"Default Title","offer_id":43081460875512,"sku":"20680","price":51.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0616\/6082\/3800\/products\/book_craftreader_1100.jpg?v=1658791926"},{"product_id":"a-dictionary-of-color-combinations-vol-2","title":"A Dictionary of Color Combinations - Vol. 2","description":"\u003cp\u003eThe second volume to the \u003cem\u003eDictionary of Color Combinations\u003c\/em\u003e. In this bilingual edition, you enjoy 72 combinations representing each month and season, as well as 161 different combinations that present the combinations in action. These designs include fashion designs of kimonos, product design, as well as interior and graphic design. This amounts to a total of 233 color combinations in one book that will inspire your creativity. \u003c\/p\u003e\n\u003cdiv data-mce-fragment=\"1\" class=\"ProductMeta__Description Rte\"\u003e\n\u003cp data-mce-fragment=\"1\"\u003eIn an era where combining colors was not yet recognized, Sanzo Wada created his 6-volume series called “Haishoku Soukan”. Sanzo was quick to recognize the importance of color and laid the foundation for color research.\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eThere is an index of CYMK Color Codes, lists of where each color was featured, and also has cutout color chips, making it an ideal book for designers who enjoy being inspired by new color combinations.\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cp\u003e\u003cspan\u003eLanguage: English, Japanese\u003c\/span\u003e\u003c\/p\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cp\u003e\u003cem\u003e\u003cspan data-mce-fragment=\"1\"\u003eSeigensha; Bilingual edition, 2020\u003c\/span\u003e, softcover, 4.2 x 5.8 in, 336 pages.\u003c\/em\u003e\u003c\/p\u003e","brand":"Idea Books","offers":[{"title":"Default Title","offer_id":43380659847416,"sku":"20835","price":33.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0616\/6082\/3800\/products\/book_dictionarycolor2_1500.jpg?v=1666458815"},{"product_id":"sunprint-kit","title":"Sunprint Kit","description":"\u003cp\u003eMake your own cyanotype shadow prints using nothing more than sunshine and water!\u003c\/p\u003e\n\u003cp\u003eCollect objects and natural specimens with interesting shapes and arrange them on the special paper. 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A few years ago, she taught a workshop at Craft Contemporary and recently started teaching this papercraft to a young refugee mother as a way to help create a job for her.\u003c\/p\u003e\n\u003cp class=\"p2\" data-mce-fragment=\"1\"\u003eEach one is handmade in Los Angeles by this two-person team using tissue paper and thread. 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A remedy for wanderlust, their candles invite you to sink into a new frame of mind. The rich tapestry of notes draws upon the familiar and comforting, to the uncommon and even challenging. This unguarded approach to fragrance yields unique scents.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eEach soy wax candle is meticulously crafted by hand using exceptional materials. With a continuous commitment to supporting and utilizing local small businesses, \u003cem data-mce-fragment=\"1\"\u003eÏ nioi\u003c\/em\u003e is also committed to creating as little waste as possible, both in their supply line and final product.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eBurn time is 40-50 hours. Candles are 7.1 oz and 3 x 3.25-inches. 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From their studio in Seattle, they print to order on luxurious paper, with satin-like ink and bold color, which makes their cards perfect for framing.\u003c\/p\u003e","brand":"Lucca Paperworks","offers":[{"title":"Default Title","offer_id":43487452889336,"sku":"21257","price":6.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0616\/6082\/3800\/products\/card_kettle_800.jpg?v=1669254539"},{"product_id":"dog-on-bike-birthday-card","title":"Dog On Bike Birthday Card","description":"\u003cp\u003e\u003cem\u003eHave a Very Happy Birthday!\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eWho doesn't love the idea of a dog peddling a revised version of a Penny-farthing bike to wish someone you care about a happy birthday?\u003c\/p\u003e\n\u003cp\u003eCard measures 5 x 7 inches, is blank inside, and comes with a gray envelope.\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eLucca Paperworks'\u003c\/em\u003e “vintage art rescue” greeting cards started after years of collecting vintage ephemera. From their studio in Seattle, they print to order on luxurious paper, with satin-like ink and bold color, which makes their cards perfect for framing.\u003c\/p\u003e","brand":"Lucca Paperworks","offers":[{"title":"Default Title","offer_id":43487457313016,"sku":"21251","price":6.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0616\/6082\/3800\/products\/card_dogbikebday.jpg?v=1669254726"},{"product_id":"tamarind-branch-pencil-single","title":"Tamarind Branch Pencils - Singles","description":"\u003cp\u003eThese eco-friendly pencils are made from trimming branches off of Tamarind trees, which regrow each season. While these pencils are best used as a decorative novelty, they do have a graphite core and can be used and sharpened by whittling (carefully!) with a sharp blade.\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e3.5\" - Approximate Size: 1.3 x 1.3 x 3.5 in (3.3 x 3.3 x 8.9 cm). Approximate weight: \u003cspan\u003e2.08 oz (58.97 g).\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli\u003e5\" - Approximate size: 1.5\" x 1.5\" x 5\" (3.8 x 3.8 x 12.7 cm). Approximate weight: 3.04 oz (86.18 g).\u003c\/li\u003e\n\u003cli\u003e7\" - Approximate size: 2\" x 2\" x 7\" (5.1 x 5.1 x 17.8 cm). Approximate weight: 7.04 oz (199.58 g).\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003eHandmade in Thailand.\u003c\/p\u003e","brand":"A Lost Art","offers":[{"title":"3.5\"","offer_id":48667793850616,"sku":"27882","price":1.25,"currency_code":"USD","in_stock":true},{"title":"5\"","offer_id":43522611446008,"sku":"20814","price":1.5,"currency_code":"USD","in_stock":true},{"title":"7\"","offer_id":47964534571256,"sku":"26986","price":1.75,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0616\/6082\/3800\/files\/Pencils_for_QuickKeys.png?v=1771038099"},{"product_id":"woven-of-the-world","title":"Woven of the World","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv id=\"shopify-section-product\" class=\"shopify-section\" data-mce-fragment=\"1\"\u003e\n\u003cdiv class=\"product-details\" data-section-id=\"prodict-details\" data-section-type=\"product-details\" data-mce-fragment=\"1\"\u003e\n\u003cdiv class=\"product-details__tabs-content-container\" data-mce-fragment=\"1\"\u003e\n\u003cdiv class=\"product-details__tab-content rte active\" data-tab-content=\"1\" data-mce-fragment=\"1\"\u003e\n\u003cp data-mce-fragment=\"1\"\u003eBy Katey Howes and Dinara Mirtalipova\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eTold from the perspective of a young girl learning to weave,\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003cem data-mce-fragment=\"1\"\u003eWoven of the World\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003c\/em\u003eis a lyrical meditation on the ancient art of weaving and what this beautiful craft can teach us. \u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eAs rhythmic as the swish of a loom, and as vibrant as a skein of brightly dyed wool, this poetic picture book shares the history and practice of weaving through the centuries and around the world, as imagined by a young weaver learning her craft. Her family's weaving practice helps her feel connected to the past and hopeful for the future. It shows her that each of us is a tapestry: a unique, rich, and beautifully interwoven combination of traits and traditions, with a pattern that is still emerging.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eAt once a celebration of a time-honored art and a meditation on the ways we are interconnected, this artfully woven narrative gathers the threads of weaving as a technical skill, a cultural tradition, and a metaphor for how our lives are knit together, into a radiantly intertwined whole.\u003c\/p\u003e\n\u003cp\u003eReading age: 5-8 years\u003cem\u003e \u003c\/em\u003e\u003c\/p\u003e\n\u003cdiv class=\"detail-row\"\u003e\n\u003cstrong\u003eKatey Howes\u003c\/strong\u003e\u003cspan\u003e \u003c\/span\u003eis an award-winning children's author and poet. Formerly a physical therapist, she now divides her time between writing, crafting, and raising three ravenous readers. You can usually find Katey under a big tree on a small mountain in eastern Pennsylvania.\u003c\/div\u003e\n\u003cdiv class=\"detail-row\"\u003e\u003c\/div\u003e\n\u003cp\u003e\u003cstrong\u003eDinara Mirtalipova\u003c\/strong\u003e is a self-taught illustrator and designer. Born and raised in Tashkent, Uzbekistan, she studied Computer Science, but her true passion was always patterns and illustration. She works and lives in Sagamore Hills, Ohio.\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eChronicle Books, 2023, hardcover, \u003cmeta charset=\"utf-8\"\u003e8.9 x 11.3 inches, 44 pages.\u003c\/em\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Chronicle Books","offers":[{"title":"Default Title","offer_id":43613309305080,"sku":"21544","price":17.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0616\/6082\/3800\/products\/book_wovenoftheworld_1500.jpg?v=1674775804"},{"product_id":"worn-a-peoples-history-of-clothing","title":"Worn - A People's History of Clothing","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv id=\"mobile-about-the-book\"\u003e\n\u003cdiv id=\"seemore-1\" class=\"slot product-about 9781524748395 isbn-related seemoreenable show opened\" target-height=\"744.289\" height-fold=\"377\"\u003e\n\u003csection class=\"overview\"\u003e\n\u003cp\u003eBy \u003cmeta charset=\"utf-8\"\u003eSofi Thanhauser\u003c\/p\u003e\n\u003cp\u003eIn this panoramic social history, Sofi Thanhauser brilliantly tells five stories—Linen, Cotton, Silk, Synthetics, Wool—about the clothes we wear and where they come from, illuminating our world in unexpected ways. She takes us from the opulent court of Louis XIV to the labor camps in modern-day Chinese-occupied Xinjiang. We see how textiles were once dyed with lichen, shells, bark, saffron, and beetles, displaying distinctive regional weaves and knits, and how the modern Western garment industry has refashioned our attire into the homogenous and disposable uniforms popularized by fast-fashion brands.\u003cbr\u003e\u003cbr\u003eThanhauser makes clear how the clothing industry has become one of the planet’s worst polluters and how it relies on chronically underpaid and exploited laborers. But she also shows us how micro-communities, textile companies, and clothing makers in every corner of the world are rediscovering ancestral and ethical methods for making what we wear.\u003cbr\u003e\u003cbr\u003eDrawn from years of intensive research and reporting from around the world, and brimming with fascinating stories,\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eWorn\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003ereveals to us that our clothing comes not just from the countries listed on the tags or ready-made from our factories. It comes, as well, from deep in our histories.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSofi Thanhauser\u003c\/strong\u003e teaches in the writing department at Pratt Institute. She has received fellowships from the Fulbright Program, MacDowell, and Ucross Foundation. Her writing has appeared in Vox, Essay Daily, and The Establishment, among other publications.\u003c\/p\u003e\n\u003c\/section\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003cem\u003ePantheon, \u003cspan class=\"ws-nw\"\u003e2022, hardcover, \u003c\/span\u003e\u003cspan class=\"ws-nw\"\u003e6.12 x 9.25 inches, 400 pages.\u003c\/span\u003e\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e","brand":"Penguin Random House","offers":[{"title":"Default Title","offer_id":43613370745080,"sku":"21542","price":18.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0616\/6082\/3800\/products\/book_wornclothing_1500.jpg?v=1674775664"},{"product_id":"craft-is-political","title":"Craft is Political","description":"\u003cp\u003eEdited by D Wood\u003c\/p\u003e\n\u003cp\u003eThroughout the 21st century, various craft practices have drawn the attention of academics and the general public in the West. In \u003ci data-mce-fragment=\"1\"\u003eCraft is Political\u003c\/i\u003e, D Wood has gathered a collection of essays to argue that this attention is a direct response to and critique of the particular economic, social and technological contexts in which we live.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eJust as John Ruskin and William Morris viewed craft and its ethos in the 1800s as a kind of political opposition to the Industrial Revolution, Wood and her authors contend that current craft activities are politically saturated when perspectives from the Global South, Indigenous ideology and even Western government policy are examined. \u003ci data-mce-fragment=\"1\"\u003eCraft is Political\u003c\/i\u003e argues that a holistic perspective on craft, in light of colonialism, post-colonialism, critical race theory and globalization, is overdue.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eA great diversity of case studies is included, from craft and design in Turkey and craft markets in New Zealand to Indigenous practitioners in Taiwan and Finnish craft education. \u003ci data-mce-fragment=\"1\"\u003eCraft is Politica\u003c\/i\u003el brings together authors from a variety of disciplines and nations to consider politicized craft.\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eBloomsbury Publishing, 2023, softcover, 9 x 6 inches, 280 pages.\u003c\/em\u003e\u003c\/p\u003e","brand":"Bloomsbury","offers":[{"title":"Default Title","offer_id":43636163510520,"sku":"21588","price":34.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0616\/6082\/3800\/products\/book_craftispolitical_1100.jpg?v=1674777950"},{"product_id":"every-thread-a-story-the-secret-language-of-miao-embroidery","title":"Every Thread a Story and The Secret Language of Miao Embroidery","description":"\u003cp\u003eThis two volume boxed set spotlights traditional Chinese artisans of Guizhou Province, with stunning examples of their work illustrated with photographs throughout.\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cem\u003eEvery Thread a Story\u003c\/em\u003e\u003c\/strong\u003e by Karen Elting Brock, Linda Ligon, and Wang Jun is is a tribute to ethnic minority artisans of China’s Guizhou Province. It is also a tribute to the heritage craft traditions and techniques passed down through the generations of their families. The book introduces more than a dozen contemporary artists from four ethnic groups working in the techniques of their ancestors, including indigo dyers, embroiderers of varying techniques, weavers, a metalsmith, and a paper maker. This book takes a wide-ranging look to the future, including questions about the effects of tourism and modern development on the craft and culture of southeast Guizhou Province. \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cem\u003eThe Secret Language of Miao Embroidery\u003c\/em\u003e\u003c\/strong\u003e by Zeng Li presents, for the first time, expert interpretations of the Miao symbols and motifs embellished on traditional clothing of the Miao peoples of China. Using examples from pieces in a museum’s collection, the author provides clear descriptions and stories for 60 symbols and motifs found in highly collectible Miao textiles, focusing on southeast Guizhou Province. Detailed color photographs accompany each motif.\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eThrums Books, 2020, two softcover books in slipcase, 9 x 11 inches, 160 pages.\u003c\/em\u003e\u003c\/p\u003e","brand":"Schiffer Publishing","offers":[{"title":"Default Title","offer_id":43748244619512,"sku":"21718","price":37.46,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0616\/6082\/3800\/products\/book_everythread1_1100.jpg?v=1680138912"},{"product_id":"oeste-candle-madre","title":"Oeste Candle - Madre","description":"\u003cp\u003eFounded in 2017 by Naomi Castillo,\u003cem\u003e Oeste\u003c\/em\u003e makes hand-poured aromatic candles in small batches using the most sustainable and eco-friendly materials available. \u003cem\u003eOeste\u003c\/em\u003e celebrates Castillo's Latin-x roots, her native Los Angeles, and the notion of home through the lens of good design.\u003c\/p\u003e\n\u003cp\u003eInspired by Castillo's mother, \u003cstrong\u003eMadre\u003c\/strong\u003e is a blend of \u003cem\u003ebotanicals\u003c\/em\u003e that evoke a \u003cem\u003esprawling flower garden\u003c\/em\u003e and a kind, fun, loving spirit. \u003cem\u003eFloral \u003c\/em\u003ewithout being overly sweet, Madre hums a beautiful melody through notes of \u003cem\u003egeranium, clary sage, and lavender.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eMade using a coconut\/soy wax blend, the finest essential and fragrance oils, and a clean-burning cotton wick. Free of preservatives, phthalates, lead, and paraffin.\u003c\/p\u003e\n\u003cp\u003eAvailable in two sizes:\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTravel Tin:\u003c\/strong\u003e 4oz | 113g. Approximate Burn Time: 20+ hours. Dimensions: 2.6” Dia x 2” H.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eGlass Vessel:\u003c\/strong\u003e 10oz | 284g. Approximate Burn Time: 50+ hours. Dimensions: 3.4” Dia x 3.5” H\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eRecycled glass vessel comes beautifully packaged in a black gift tube.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cem\u003eOeste candles are hand-poured with love in small batches. Slight variations between candles may occur due to the nature of the handmade process.\u003c\/em\u003e\u003c\/p\u003e","brand":"Oeste","offers":[{"title":"Travel Tin (4 oz)","offer_id":43788821725432,"sku":"21327","price":15.0,"currency_code":"USD","in_stock":false},{"title":"Glass (10 oz)","offer_id":43788821758200,"sku":"21614","price":38.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0616\/6082\/3800\/files\/madre_sm.jpg?v=1682386188"},{"product_id":"oeste-candle-aurora","title":"Oeste Candle - Aurora","description":"\u003cp\u003eFounded in 2017 by Naomi Castillo,\u003cem\u003e Oeste\u003c\/em\u003e makes hand-poured aromatic candles in small batches using the most sustainable and eco-friendly materials available. \u003cem\u003eOeste\u003c\/em\u003e celebrates Castillo's Latin-x roots, her native Los Angeles, and the notion of home through the lens of good design.\u003c\/p\u003e\n\u003cp\u003eA scent inspired by Castillo's father's home country of Guatemala, \u003cstrong\u003eAurora\u003c\/strong\u003e is an earthy, complex scent that blends \u003cem\u003ecardamom\u003c\/em\u003e (one of Guatemala's most popular crops), \u003cem\u003ewet earth \u003c\/em\u003efrom the rainforests, and \u003cem\u003esmoke\u003c\/em\u003e from the volcanos that tower over the beautiful landscape.\u003c\/p\u003e\n\u003cp\u003eMade using a coconut\/soy wax blend, the finest essential and fragrance oils, and a clean-burning cotton wick. Free of preservatives, phthalates, lead, and paraffin.\u003c\/p\u003e\n\u003cp\u003eAvailable in two sizes:\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTravel Tin:\u003c\/strong\u003e 4oz | 113g. Approximate Burn Time: 20+ hours. Dimensions: 2.6” Dia x 2” H.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eGlass:\u003c\/strong\u003e 10oz | 284g. Approximate Burn Time: 50+ hours. Dimensions: 3.4” Dia x 3.5” H.\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eRecycled glass vessel comes beautifully packaged in a black gift tube.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cem\u003eOeste candles are hand-poured with love in small batches. Slight variations between candles may occur due to the nature of the handmade process.\u003c\/em\u003e\u003c\/p\u003e","brand":"Oeste","offers":[{"title":"Travel Tin (4 oz)","offer_id":43788823462136,"sku":"21325","price":10.0,"currency_code":"USD","in_stock":false},{"title":"Glass (10 oz)","offer_id":43902985797880,"sku":"22092","price":38.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0616\/6082\/3800\/files\/Aurora.png?v=1753046628"},{"product_id":"oeste-candle-palapa","title":"Oeste Candle - Palapa","description":"\u003cp\u003eFounded in 2017 by Naomi Castillo, \u003cem\u003eOeste\u003c\/em\u003e makes hand-poured aromatic candles in small batches using the most sustainable and eco-friendly materials available. \u003cem\u003eOeste\u003c\/em\u003e celebrates Castillo's Latin-x roots, her native Los Angeles, and the notion of home through the lens of good design.\u003c\/p\u003e\n\u003cp\u003eTransport yourself to your favorite beach with this magical scent composed of \u003cem\u003ecoconut milk, cardamom\u003c\/em\u003e, and \u003cem\u003ecoriander\u003c\/em\u003e. Inspired by the thatched palm structures found up and down \u003cem\u003eplayas\u003c\/em\u003e. \u003cstrong\u003ePalapa\u003c\/strong\u003e instills relaxed beach vibes indoors year-round. Sunscreen and frozen cocktail not included.\u003c\/p\u003e\n\u003cp\u003eMade using a coconut\/soy wax blend, the finest essential and fragrance oils, and a clean-burning cotton wick. Free of preservatives, phthalates, lead, and paraffin.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTravel Tin:\u003c\/strong\u003e 4oz | 113g.  Approximate Burn Time: 20+ hours.  Dimensions: 2.6” Dia x 2”H\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eGlass:\u003c\/strong\u003e 10oz | 284g.  Approximate Burn Time: 50+ hours. Dimensions: 3.4” Dia x 3.5” H. Recycled glass vessel comes beautifully packaged in a black gift tube.\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eOeste candles are hand-poured with love in small batches. Slight variations between candles may occur due to the nature of the handmade process.\u003c\/em\u003e\u003c\/p\u003e","brand":"Oeste","offers":[{"title":"Travel Tin (4 oz)","offer_id":43788824183032,"sku":"21328","price":15.0,"currency_code":"USD","in_stock":false},{"title":"Glass (10oz)","offer_id":47385239290104,"sku":"26386","price":38.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0616\/6082\/3800\/files\/palapa.png?v=1781917867"},{"product_id":"i-nioi-candle-four","title":"I Nioi Candle - Four","description":"\u003cp\u003eÏ nioi candles are handmade in small batches in Los Angeles, CA and feature carefully curated scents that evoke remembered places and environments.\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eFour \u003c\/em\u003ecandle notes: tea leaves, bergamot, rose de mai, honey, cloves.\u003c\/p\u003e\n\u003cp style=\"text-align: center;\" data-mce-fragment=\"1\"\u003e\u003cem\u003eCeladon envelops the stuffy room.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003e Tea leaves steep and stir.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003e Faces of drenched roses look in from under the grey sky.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eÏ nioi is founded on the principle of creating an immersive scent experience. A remedy for wanderlust, their candles invite you to sink into a new frame of mind. The rich tapestry of notes draws upon the familiar and comforting, to the uncommon and even challenging. This unguarded approach to fragrance yields unique scents.\u003c\/p\u003e\n\u003cp\u003eEach soy wax candle is meticulously crafted by hand using exceptional materials. With a continuous commitment to supporting and utilizing local small businesses, Ï nioi is also committed to creating as little waste as possible, both in their supply line and final product.\u003c\/p\u003e\n\u003cp\u003eBurn time is 40-50 hours. Candles are 7.1 oz and 3 x 3.25-inches. Comes packaged in an elegant kraft tube with vellum insert, ready for gifting.\u003c\/p\u003e","brand":"Ï Nioi","offers":[{"title":"Default Title","offer_id":43789772947704,"sku":"21669","price":30.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0616\/6082\/3800\/files\/inioi_four2_1000.jpg?v=1748913374"},{"product_id":"vase-of-flowers-laser-cut-card-assorted-colors","title":"Vase of Flowers Laser Cut Card","description":"\u003cp\u003eLaser-cut greeting card illustrated with a vase of flowers still life tableau.\u003c\/p\u003e\n\u003cp\u003eCream colored card with a purple, dark blue, or gray tissue paper backdrop. Please note that color is dependent on available stock; you are welcome to specify a preference in the checkout notes, but we cannot guarantee availability. \u003c\/p\u003e\n\u003cp\u003eWe often carry this card in two sizes:\u003c\/p\u003e\n\u003cp\u003eA2:  4.25\" x 5.5\", includes a matching envelope, and comes packaged in a protective, compostable PLA sleeve.\u003c\/p\u003e\n\u003cp\u003eA7: 5\" x 7\", includes a matching envelope, and comes packaged in a protective, compostable PLA sleeve.\u003c\/p\u003e\n\u003cp\u003eMade in Chula Vista, CA, by \u003cem\u003eTwo Hermanas\u003c\/em\u003e, who really are sisters.\u003c\/p\u003e","brand":"Two Hermanas","offers":[{"title":"A7 \/ purple","offer_id":43854219542776,"sku":"20919","price":7.0,"currency_code":"USD","in_stock":true},{"title":"A7 \/ dark blue","offer_id":50619384267000,"sku":"28671","price":7.0,"currency_code":"USD","in_stock":true},{"title":"A7 \/ grey","offer_id":50619384299768,"sku":"28673","price":7.0,"currency_code":"USD","in_stock":true},{"title":"A2 \/ purple","offer_id":47977673883896,"sku":"27013","price":6.0,"currency_code":"USD","in_stock":false},{"title":"A2 \/ dark blue","offer_id":50619384332536,"sku":"28672","price":6.0,"currency_code":"USD","in_stock":false},{"title":"A2 \/ grey","offer_id":50619384365304,"sku":"28674","price":6.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0616\/6082\/3800\/files\/FlowersPurple.png?v=1790204694"},{"product_id":"sloppy-craft-postdisciplinarity-and-the-crafts","title":"Sloppy Craft - Postdisciplinarity and the Crafts","description":"\u003cp\u003eEdited by Elaine Cheasley Paterson and Susan Surette\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cem\u003eSloppy Craft: Postdisciplinarity and the Crafts\u003c\/em\u003e\u003c\/span\u003e brings together leading international artists and critics to explore the possibilities and limitations of the idea of 'sloppy craft' – craft that is messy or unfinished looking in its execution or appearance, or both. The contributors address 'sloppiness' in contemporary art and craft practices, including painting, weaving, sewing, and ceramics, consider the importance of traditional concepts of skill, and the implications of sloppiness for a new 21st-century emphasis on inter- and post-disciplinarity, as well as for activist, performance, queer, and Aboriginal practices.\u003c\/p\u003e\n\u003cp\u003eIn addition to critical essays, the book includes a 'conversation' section, in which contemporary artists and practitioners discuss the challenges and opportunities of 'sloppy craft' in their practice and teaching, as well as an afterword by Glenn Adamson.\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eBloomsbury Academic, 2015, softcover, 6.28 x 9.18 inches, 240 pages.\u003c\/em\u003e\u003c\/p\u003e","brand":"Bloomsbury","offers":[{"title":"Default Title","offer_id":43906937749752,"sku":"21366","price":39.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0616\/6082\/3800\/files\/book_sloppycraft_1500.jpg?v=1689193479"},{"product_id":"diasporic-threads-black-women-fibre-and-textiles","title":"Diasporic Threads - Black Women, Fibre and Textiles","description":"\u003cp\u003e\u003cem\u003eRevised edition.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp class=\"font_8\"\u003e\u003cspan\u003eWritten by Sharbreon Plummer.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"font_8\"\u003e\u003cspan\u003eEdited by Laura Moseley and Chris Shortt.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"font_8\"\u003e\u003cspan\u003eDesign by Scarlett Ryan and Chris Shortt. \u003c\/span\u003e\u003cspan\u003eIllustrations and first edition design by Saffa Khan. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003eAn invigorating survey of Black women textile artists, celebrating their vital contributions to cultural and social histories through fiber-related mediums. \u003co:p\u003e\u003c\/o:p\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003eHistorically ignored or overlooked in surveys of art history, Black women artists who work in fiber and textiles have often been further neglected – their artworks reduced to hobby or handiwork without proper consideration of their deeper significance. From rug-making and hand-felting to computational textiles, the work of seven contemporary artists offers a remedy. Explored through a series of interviews, \u003ci\u003eDiasporic Threads \u003c\/i\u003ecollates their diverse practice in a potent reminder that anti-Blackness and misogynoir are global issues, contested and resisted at the intersections of race, art, and cultural memory.\u003co:p\u003e\u003c\/o:p\u003e\u003c\/p\u003e\n\u003cp\u003eThe author,\u003cstrong\u003e Dr. Sharbreon Plummer\u003c\/strong\u003e\u003cspan\u003e \u003c\/span\u003e\u003cspan style=\"font-weight: 400;\"\u003e(Baton Rouge, LA), is an artist, strategist, and storyteller whose work centers the stories and creativity of Black women. Sharbreon's upbringing in southern Louisiana informs her interest in how culture and ancestral memory act as influencers of contemporary art-making.\u003c\/span\u003e \u003cspan style=\"font-weight: 400;\"\u003eSharbreon has worked for institutions such as the African American Museum in Philadelphia, Americans for the Arts, and the Embroiderers Guild of America.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eEstablished in 2019 by Laura Moseley (she\/they), \u003cstrong\u003eCommon Threads Press\u003c\/strong\u003e is a small press that specializes in radical histories of crafts and making. Based in Norwich, England, they publish zines, deliver workshops, and curate events that\u003cspan\u003e \u003c\/span\u003e\u003cspan\u003euplift the work of women, queer folk, and POC through the histories of their creative work\u003c\/span\u003e. 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These women are honored through the pages of this zine - the women who taught us how to deliver our babies, to use herbs as medicines, to cook, spin, sew, and dye.\u003c\/p\u003e\n\u003cp\u003eIt features 8 dye recipes available to any forager, alongside their accompanying folklore. Including oak, apple, and elder, this zine will teach readers the basics of natural dyeing with local and readily available ingredients, thereby helping to save the ancient practice of coloring cloth.\u003c\/p\u003e\n\u003cp\u003eIncludes recipes from the following trees\/leaves\/bark: Elder, Yew, Birch, Apple, Oak, Willow, Hawthorn, Nettle\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eCiara Callaghan\u003c\/strong\u003e is an artist based in the UK, working primarily in textiles. Through her research and practice in dyeing, embroidery, and quilt-making, Ciara explores the role of heritage craft in contemporary culture, feminism, and the interrelation between object and owner. She is interested in themes of place-making and belonging; the importance of hyper-local colour and textile objects in relation to place. Ciara is an associate artist at MK Gallery and the Milton Keynes Art Centre. Her work has been exhibited at MK Gallery, The New Earth Art School, and The Barbican Centre.\u003c\/p\u003e\n\u003cp\u003eEstablished in 2019 by Laura Moseley (she\/they), \u003cstrong\u003eCommon Threads Press\u003c\/strong\u003e is a small press that specializes in radical histories of crafts and making. Based in Norwich, England, they publish zines, deliver workshops, and curate events that uplift the work of women, queer folk, and POC through the histories of their creative work. 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Craft’s value is increasingly recognized across creative, economic, social, cultural, and political contexts. Because of its widespread appropriation, and the dissolution of disciplinary boundaries, the meaning of handicrafts is changing. While craft’s claims of authenticity and anti-consumerism are in question, its role is poised for optimization within the contemporary climate. 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As a professor at UCLA, she \u003cspan style=\"letter-spacing: .35pt;\"\u003eestablished one of the first academic ceramics programs in America\u003c\/span\u003e \u003cspan style=\"letter-spacing: .35pt;\"\u003eand is credited with reviving the art of pottery making in America. Her work reflected her interest in the forms of Scandinavian design, techniques of Persian reduction firing, and Japanese ceramic colors. S\u003c\/span\u003ehe impacted thousands of students during her tenure at UCLA (1930-1980). \u003cspan style=\"letter-spacing: .35pt;\"\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp style=\"background: white; margin: 7.5pt 0in 4.5pt 0in;\" class=\"indent-text\"\u003e\u003cspan style=\"font-family: 'Arial',sans-serif; color: black;\"\u003eAndreson was dedicated to experimentation with various glazes and developing kilns. \u003cspan style=\"letter-spacing: .35pt;\"\u003eHer creative process radically differed from that used by most potters. She typically started with a glaze and then decided what kind of vessel to create for it. \u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp style=\"background: white; margin: 0in 0in 11.4pt 0in;\"\u003e\u003cspan style=\"font-family: 'Arial',sans-serif; color: black; letter-spacing: .35pt;\"\u003eIn 1948 she began using stoneware developing a range of stoneware bodies and glazes.\u003c\/span\u003e\u003cspan style=\"font-family: 'Arial',sans-serif; color: black;\"\u003e In the late 1960s, she became interested in the opalescence of luster glazes and created forms reminiscent of mollusks and polished sea stones. Dedicated to glaze research, she was deeply interested in creating utilitarian ceramics with formal perfection and enduring beauty.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp style=\"background: white; margin: 7.5pt 0in 4.5pt 0in;\" class=\"indent-text\"\u003e\u003cspan style=\"font-family: 'Arial',sans-serif; color: black; letter-spacing: .35pt;\"\u003eAfter retiring she continued her pioneering research developing new firing techniques, clay bodies, and glazes, providing future generations of clay artists with valuable technical information.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eThe bottle with lid measures 10 inches x 5.75 inches. The removable lid reveals an opening that is 1 7\/8 inches in diameter. The interior is fully glazed.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eSigned on the bottom by the artist with the number \"80\". \u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eNote: there is damage to the lid and has been repaired. Please see photos.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cbr\u003e\u003c\/p\u003e","brand":"Laura Andreson","offers":[{"title":"Default Title","offer_id":43928623907064,"sku":"20497","price":550.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0616\/6082\/3800\/files\/andresonbottle1_1500.jpg?v=1690404356"},{"product_id":"shabbat","title":"Shabbat","description":"\u003cp\u003e\u003cem\u003eShabbat: Recipes and Rituals from My Table to Yours\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eBy Adeena Sussman\u003c\/p\u003e\n\u003cp\u003eAs a child, Adeena Sussman looked forward to the magic of Shabbat—the traditional Jewish day of rest—all week. A treasured time when family and friends come together to relax, unwind, and revel in one another’s company during open-ended, tantalizing meals, Shabbat has been practiced all over the world and throughout history. In Sussman’s home, then and now, the Shabbat table is a centering force, a nourishing place where one and all are welcome. It’s an opportunity every week to feed the soul.\u003c\/p\u003e\n\u003cp\u003eBecause tradition dictates that the Sabbath is reserved for downtime, Shabbat cooking is all about smart techniques and sound prep. Nostalgic, cozy mains like Fig \u0026amp; Pomegranate Brisket and Bubbe’s Extra-Crispy Potato Kugel are crowd-pleasers and require little hands-on attention. Sides and bright salads like Moroccan Carrot Salad, Roasted Kohlrabi, Cherry \u0026amp; Feta Salad,and Sweet \u0026amp; Tart Eggplant Salad are best served at room temperature. With staples like Amba (pickled mango spread), Tomato Jam, and Schug-a-churri (a blend of Yemenite and South American condiments) on hand, it’s easy to punch up flavor and find something delectable to slather on challah. And from the showstopping Lemon Black-Sesame Bundt Cake to the rich comfort of Vegan Rice Pudding, there’s always something special for dessert.\u003c\/p\u003e\n\u003cp\u003eWoven throughout the recipes is a rich portrait of Shabbat in Israel, where it is practically a national holiday. Taking us inside the kitchens and traditions of local cooks who have shared their most beloved recipes, Shabbat brings to life Sussman’s adopted home country with transporting, slice-of-life storytelling. Deeply personal and brimming with life, Shabbat inspires us all to embrace the delights of Shabbat. Now more than ever, Shabbat cooking is what we all need.\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eAvery Books, 2023, hardcover, 8.3 x 10.3 inches, 384 pages.\u003c\/em\u003e\u003c\/p\u003e","brand":"Penguin Random House","offers":[{"title":"Default Title","offer_id":44190070440184,"sku":"22675","price":35.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0616\/6082\/3800\/products\/book_shabbat1_1000.jpg?v=1700532832"},{"product_id":"centered-people-and-ideas-diversifying-design","title":"Centered - People and Ideas Diversifying Design","description":"\u003cp\u003eBy Kaleena Sales\u003c\/p\u003e\n\u003cp\u003eA rich, inclusive, contemporary, and global look at design diversity, past and present, through essays, interviews, and images curated by design educator and advocate Kaleena Sales.\u003co:p\u003e\u003c\/o:p\u003e\u003c\/p\u003e\n\u003cp\u003eAs the design industry reexamines its emphasis on Eurocentric ideologies and wrestles with its conventional practices, \u003cem\u003eCentered\u003c\/em\u003e advocates for highlighting and giving a voice to the people, places, methods, ideas, and beliefs that have been eclipsed or excluded by dominant design movements.\u003c\/p\u003e\n\u003cp\u003eCurated by Kaleena Sales, a powerful voice and noted advocate for diversity in the design community, the thirteen essays and interviews in this volume feature important and underrepresented design work and projects, both historical and present-day.\u003c\/p\u003e\n\u003cp\u003eFilled with striking visuals from a range of global designers, \u003cem\u003eCentered\u003c\/em\u003e is a must-read and must-have for design practitioners, educators, students, and anyone interested in expanding narratives and gaining a more inclusive understanding of design diversity and its impact on culture.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eKaleena Sales\u003c\/strong\u003e is an Associate Professor of Graphic Design and Chair of the Department of Art \u0026amp; Design at Tennessee State University, an HBCU in Nashville, TN. She is a co-author of \u003cem\u003eExtra Bold: A Feminist, Inclusive, Anti-Racist, Non-Binary Field Guide for Graphic Designers\u003c\/em\u003e, and cohosts a podcast about design and culture with \u003cem\u003eDesign Observer\u003c\/em\u003e. During her service on AIGA's Design Educators Community Steering Committee, Sales advocated for a more inclusive view of design history, through her \u003cem\u003eBeyond the Bauhaus\u003c\/em\u003e writing series, from which this book originated.\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003ePrinceton Architectural Press, 2023, softcover, 5.5 x 9 inches,192 pages.\u003c\/em\u003e\u003c\/p\u003e","brand":"Chronicle Books","offers":[{"title":"Default Title","offer_id":44216607506680,"sku":"22297","price":30.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0616\/6082\/3800\/files\/book_centered_1000.jpg?v=1702330615"},{"product_id":"shitty-craft-club","title":"Shitty Craft Club","description":"\u003cp\u003e\u003cem\u003e\u003cstrong\u003eShitty Craft Club: A Club for Gluing Beads to Trash, Talking about Our Feelings and Making Silly Things\u003c\/strong\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eBy Sam Reece and Lizzie Darden\u003c\/p\u003e\n\u003cp\u003eWelcome to the Shitty Craft Club!\u003c\/p\u003e\n\u003cp\u003eDid you know that you are a glorious and incredible artist? Wait, really? Well, you are. Shitty Craft Club gives you permission to have fun and be as weird, wild, and wonderful as you want to be. It's about trying your best, not perfection.\u003c\/p\u003e\n\u003cp\u003eInspired by comedian Sam Reece's TikTok sensation, it's all about embracing creativity, chaos, and finding your inner calm. This club encourages you to have fun, be unique, and not worry about being perfect. \u003c\/p\u003e\n\u003cp\u003eSam Reece, the club's founder, leads you through numerous projects with step-by-step instructions and relatable stories. Combining millennial\/Gen Z humor, Amy Sedaris's crafting style, and Lisa Frank vibes, Reece shows there are no limits to crafting. From making pom-poms to sculpting rhinestone shrimp, every little creative endeavor counts in this club, making life a bit more enjoyable.\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cstrong\u003eSam Reece\u003c\/strong\u003e is a Los Angeles–based comedy writer and actor with a very serious crafting hobby. Reece has been writing and performing in NYC since 2011 and has written for Comedy Central, MTV, \u003c\/span\u003e\u003cspan class=\"a-text-italic\"\u003eBuzzfeed\u003c\/span\u003e\u003cspan\u003e, NBC, and \u003c\/span\u003e\u003cspan class=\"a-text-italic\"\u003eRefinery29\u003c\/span\u003e\u003cspan\u003e.\u003c\/span\u003e\u003cspan\u003e Shitty Craft Club began in 2019 when Reece gathered a few comedian friends, rented out a community space, and hired a photographer to capture the crafts. In 2020, when in-person events were not possible due to the impact of COVID-19, Reece joined TikTok and began creating humorous craft videos. 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For the traveling exhibition, MASP, in collaboration with Kode Bergen Art Museum, guest curators from Indigenous nations including Inuit, Maori, and Sámi. With over 150 artists included, the featured artworks range from the historical to the contemporary―from 17th-century colonial religious paintings to modern film and video installations―to trace the impact of European colonization on Indigenous visual culture.\u003c\/p\u003e\n\u003cp\u003eDespite its scope, the aim of \u003cem\u003eIndigenous Histories\u003c\/em\u003e is not to fully represent the vast and complex histories of each region but rather to provide a cross-section, fragment, or sample of these histories in a concise but relevant selection to create juxtapositions of these groups on a global scale. Incorporating traditional patterns, this beautifully designed book is divided into eight thematic sections: seven regional and one covering contemporary Indigenous activism. 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